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Rachana Shah And Rhythm Wagholikar Bring Out The Story Of Maay Bhavani._我的网站

A |     Arnold Schwarzenegger has been accused of some really rude behavior on set by actress Miriam Margolyes, who claimed that the Terminator icon "deliberately farted" right in her face.,The actress made the claim on the latest episode of the ‘I’ve Got News for You’ podcast, saying that Schwarzenegger, with whom she worked on the 1999 horror movie ‘End of Days’, was "actually quite rude".,Apart from being rude, Margolyes claims that Schwarzenegger was "a bit too full of himself" back at the time.,“I was playing Satan’s sister, and he was killing me, so he had me in a position where I couldn’t escape and lying on the floor. And he just farted," she said. "It wasn’t on film, it was in one of the pauses, but I haven’t forgiven him for it.",'End of Days' premiered in November 1999, following the story of a former New York Police Department detective Jericho Cane, portrayed by Schwarzenegger, who finds himself in the middle of a religious conflict and has to protect a woman chosen by evil forces to conceive Satan.。    On Ram Navami, a festival that celebrates the birth of Lord Ram , the Navmi day of the chaitra Navratri and the enduring values of devotion and righteousness, Narendra Modi chose to share more than a customary greeting. His post featuring the devotional song “Maay Bhavani” brought a sense of spiritual depth to the occasion, reminding listeners of the quiet power of music rooted in faith.           The song, from the Marathi film Shahbaz Sunbai, belongs to a time when cinema and music were deeply intertwined with cultural and devotional expression. Its composition by Meena Mangeshkar Khadikar carries a sincerity that avoids excess, allowing the essence of devotion to take centre stage. In an era of fleeting soundscapes, such compositions stand apart for their stillness and emotional clarity.          It is, however, the voice of Lata Mangeshkar that celebrates “Maay Bhavani” into something timeless. Her music has long defined the emotional memory of India, moving effortlessly between romance, melancholy, and devotion. In songs of a spiritual nature, her voice often feels less like performance and more like prayer, marked by an almost meditative purity. This quality lends the composition a rare depth, making it especially fitting for a day like Ram Navami, where devotion is both personal and collective.          For authors Rachna Shah and Rhythm Wagholikar, the moment carried a deeply personal resonance. Responding to the Prime Minister’s post, they shared a note that captured both gratitude and memory, offering readers a glimpse into the story behind the song.           Their note is reproduced here in full:           ⸻           Dear friends,           It’s so heartwarming to see our honourable Prime Minister Shri. Narendra Modiji post a song on Maa Ambe - Maay Bhavani, on the auspicious day of Ram Navami.     The striking part is that this song is composed by my mother Meena Mangeshkar Khadikar and sung by my aunt Lata Mangeshkar..           We just chatted with Aai and told her regarding this post.     She shared an interesting behind-the-scene story.           This song was originally to be composed by Lata didi herself, however during those days, Didi was overwhelmed with the work load and couldn’t dedicate the time required.     So, she requested her sister Meena to step in and do the needful. Meena Mangeshkar Khadikar was an established composer and took charge and this composition took its birth…           This post by our beloved Prime Minister opened up a floodgate of beautiful memories and with our heartfelt sentiments we stand in gratitude.           Warm regards,     Rachana Rhythm           ⸻           What emerges from this reflection is a story of artistic trust and familial bond. The decision by Lata Mangeshkar to pass on the responsibility of composition to her sister reveals not just the pressures of her time, but also the quiet confidence she had in Meena Mangeshkar Khadikar’s musical sensibility. It is in such moments that enduring art often finds its form.           The Prime Minister’s gesture, therefore, does more than revive a song. It reconnects audiences with a legacy, one that spans generations and continues to shape India’s cultural identity. For Rachna Shah and Rhythm Wagholikar, it is a moment of remembrance and gratitude. For listeners, it is an invitation to rediscover a melody that carries both devotion and history within it.           Also Read: Sharda Sinha: A Voice That Became The Prayer of The Soil。

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